Amadeus the Film Movie Review Example | Topics and Well Written Essays - 1250 words

Amadeus the Film - Movie Review ExampleThe atrocities of the royal couple in France are well - known. Marie apparently influenced Joseph to keep a strict control on any art and culture developments in Austria, which might turn subversive. These facts course casually into the narrative through Joseph IIs dialogues. An otherwise liberal man, Joseph had an Italian triumvirate to advise him on proper entertainment. Salieri was part of this trio. The handful of musicians and artists who enjoyed royal patronage stayed on the right location of royalty and composed pieces in Italian that very few unders aliked, eschewed ballet as debauched and favored themes that would offend no one and cause no one to think. The film shows this beautifully, through skillfully chosen characters, their pompous stance and carefully cultivated expressions.It was in this atmosphere that Wolfgang arrived in Vienna, freshly banished by the Archbishop at Salzburg. Unrepentant and arrogant, he did not believe he h ad any rivals. He was simply the best while others composed rubbish. Mozart is the polar opposite of a sober composer. The audacious Amadeus and his artless wife giggled their way through mindless entertainment, were very bad debtors and yet had a strange dignity about them there was egotism belief and belief in each other. Constanza took in her stride her husbands lack of practical sense, gently coaxed and cajoled him into doing things to earn money, was ready to trade her body for a dark to buy him a tutorship to royalty, but was impractical enough to estrange a concerned and well-heeled father in law. Of course, the movie has taken liberties with facts, for instance, Mozarts child Nannerl, who was actually quite an influence on him is completely done away with, as are the many children that Mozart and Constanza had. Retaining them in the story would exact underscored the pathos of his isolation and gradual slide into drunken desperation. However, none of this prevents him f rom composing brilliantly. One of his first commissions was to write the score for an opera - a Turkish folk story target in a harem (Mozarts choice of subject) in German (the emperors choice of language). The turca-allegro form uses sopranos for the fun element and a heavily textured orchestra. This was the first of many deviations that Mozart would insist on. The film, which opens with one of his famous tutti with a signature tremolo and a heavy orchestra scores, is peppered with snatches of his work -the conventional chamber music to entertain the royal family, writing good deal and so on. They are rightly not mentioned prominently because of their huge numbers but they are representative of Mozarts style of playing upon a single demean or phrase before launching into symphony. The movie gives music lovers and aficionados a delicious slice of the music of the classical era through Mozarts pieces. Both the sonata allegro and the sonata rondo are in evidence. The Marriage of Fig aro is trademark Mozart - rich in notes, too much for the untutored Viennese public to take. The emperor famously remarked that it had too many notes to which Mozart had made the equally famous reply that it had not one note too many and had gone on to audaciously ask -which would you have me remove, superbly establishing himself as the master of his craft . Figaro, with it risqu Italian intrigue was originally rejected as subject (apparently it had caused unrest against the royalty in France) but subsequent allowed. The same fate met the ballet in the marriage